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May 14, 2013

The Hare with Amber Eyes

by Andy Kubrin

The Hare With Amber Eyes

One of the pleasures of reading family history is the way it skips across boundaries. Instead of one thing, you get two: family and history. Read this way, the story of your clan can be thrilling. All at once, you find your ancestors hobnobbing with French Impressionists, corresponding with poets, or dodging the Gestapo. It’s hard to believe that you and Uncle Fred could share such gallant forebears. Read more…

February 3, 2013

The Legacy of the Briar Patch

by Andy Kubrin

Into the Briar Patch: A Family MemoirInto the Briar Patch: A Family Memoir by Mariann S. Regan

My rating: 5 of 5 stars

Long before family historians begin formal research, they pass through an informal stage of inquiry. This casual phase, in which an outwardly passive child or adolescent absorbs lore handed down through the generations, is nearly universal. Most of us do it at one time or another. In some cases, that child or adolescent ponders those stories and formulates, over the years, a surprisingly pointed series of questions and tentative answers. Then comes the formal research and, if we’re lucky, an astute and graceful account of one family’s origins.
In Mariann Regan’s case, we’ve been lucky. Her memoir Into the Briar Patch explores the legacy of slaveholding as it plays out in one American family. Mariann–we’ve become friendly through our blogs and on Twitter, so I’ll use her first name here–opens her story with an account of a catastrophic fire that tore through the family home in 1915. Her mother, then an infant, was thrust into the arms of her seven-year-old sister Ansie, who ran from the flames, carrying the infant to safety. Save the baby, the adults cried, save the baby, and Saving the Baby becomes thereafter a recurring metaphor in Mariann’s chronicle.
Mariann pursues this theme through the labyrinth of her family history. The metaphorical baby being saved varies with each episode. We witness strenuous, even heroic, efforts to save the family farm, wayward children, individual reputations, and the family’s collective self-concept. Baby-saving becomes an endless task for this family, which seems fundamentally compromised by its slaveholding past.
In Mariann’s view, America’s odious trade in human beings had far-reaching effects, not only on its practitioners and victims, but also on their descendants. Among the practitioners, guilt and fear were the chief burdens–guilt arising from an awareness of slavery’s intrinsic immorality, fear from a realization that numerically superior blacks could, if aroused, easily wipe out their white overseers. These two primal emotions lead to an endless and contradictory search for expiation and justification, as well as a need to display courage and cultivate physical strength.
Mariann’s research is impressive. Drawing on historical accounts, courthouse records, family papers, interviews, and correspondence, she traces the lives of her forebears as they wrestle with their complex family legacy. We meet strong-willed landowners and sharecroppers, an intrepid sheriff’s deputy, a missionary, teachers, and doctors. Augmenting her research with insightful analysis, Mariann draws on the writings of Montaigne, Alice Miller, Langston Hughes, Henry Louis Gates, and others to sketch an insightful and compelling theory of white racism and black resistance.
These last two qualities are in the end the most gratifying. While some writers and readers may see the memoir as a vehicle for catharsis, there is something overrated about blowing your stack, or having it blown for you. With her mix of deep research and keen analysis, scrupulous honesty and emotional restraint, my friend Mariann has created a moving account of one family’s experience with America’s peculiar institution.

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November 18, 2012

My Family Tree—a Work in Progress

by Andy Kubrin

Several people have read my family history in manuscript and asked for some sort of device to help them keep track of the characters and relationships. This request is understandable. The manuscript is crowded with characters. The narrative jumps between branches of the family and between generations. If you don’t already know our lineage, it can be hard to keep it all in mind. Read more…

October 21, 2012

What Is Memory?

by Andy Kubrin

Memories & Souvenirs by ThunderchildAllen

A few weeks ago, while writing about my “discovery” of my great-grandfather Isadore Katz’s birthplace of Várpalánka, I made a mistake. I wrote at the time that my family had not lost anyone in the Holocaust, but this statement was incorrect. I learned about my error several days later, when my mother reminded me of some earlier conversations we had had on the topic.
Read more…

October 14, 2012

Red Brick, Black Mountain, White Clay

by Andy Kubrin

As I move more deeply into the effort of writing a family history, I find myself reading more widely in the genre. You can’t work without taking stock of the precedents in your line. To write a family history, I have to come to grips with the genre itself, to learn lessons from those who have come before me and to keep up with current offerings. So today I set up a new blog category, Readings, to capture my thoughts on other family histories. Christopher Benfey’s Red Brick, Black Mountain, White Clay is the first entry in this category. There will be others. Read more…

October 7, 2012

Why I Write About My Extended Family

by Andy Kubrin

My extended family, circa 1968

I can find no rule stating that a memoir about family must focus on the writer’s immediate family, but the custom seems to be widely observed. Parents and siblings occupy the foreground. Aunts, uncles, and grandparents take up their positions in a dim and sketchy background. The family tableau appears in this configuration as if no other grouping were possible.  But in writing and in life, anything is possible. So why does the genre adhere so rigidly to this form? Read more…

September 30, 2012

Microhistory

by Andy Kubrin

Douglas Fairbanks at third Liberty Loan rally HD-SN-99-02174

Douglas Fairbanks at third Liberty Loan rally. By Paul Thompson [Public domain], via Wikimedia Commons


For some time now, I have been working under the assumption that family history and memoir require some sort of framework to guide the writing. It’s fine to rummage in your store of memory and reflect on the life you have lived. It’s also fine to research your family tree and trace your line of descent from your earliest known ancestor.

But without a theoretical framework, how can you craft a powerful and memorable account? How can you support your idea of the human? How can you justify the words you set down? Read more…

September 23, 2012

Joseph and Edith

by Andy Kubrin

My great-grandparents, Joseph and Edith Letwin

Some months ago, I wrote a post about my great-grandparents Harry and Tillie Kubrin, the forebears of our line on the Kubrin side. That post started out as a primer on family history craft, but something drew me inexorably to the subject of Harry and Tillie, and I quickly veered off-message. Great-grandparents must be inherently colorful. Just ask Russ Livingston, who recently wrote this post about his great-grandparents. Read more…

September 16, 2012

Looking for Várpalánka

by Andy Kubrin

Hungary and Ukraine (courtesy of National Geographic Education MapMaker Interactive)

It’s been some time since I actively engaged in genealogical research. It’s not that I’ve lost interest in the topic. My family history project has simply entered another phase, and interviews, transcription, and planning take up most of my time nowadays.

This week, however, I decided to try out JewishGen.org, a site specializes in genealogy for people with Jewish ancestry. I’m glad I did. In just one day, the site cleared up a little mystery about my family that has lingered for generations. Read more…

September 9, 2012

Writing About the Dead

by Andy Kubrin

Writing about the dead is a lot like writing about the living, except that there are fewer risks. The dead cannot sue you for libel. They cannot sue you for invasion of privacy. They cannot even object to your portrayal of them—not only because they have lost the power of speech, but because they have lost the ability to act. Read more…